“The Materiality of Virtuality: Internet Reporting On Arab Revolutions,” Mediating the Arab  Uprisings. Eds. Iskander and Haddad. Tadween Publishing, 2013. ​

Rather than attempting the impossible task of understanding the totality of what Arabic speakers are producing online—this archival process collects modest percentages of data and from within defines scopes of analysis. In other terms, then, discontinuity is a bifurcation, a switch from one virtual pattern to another. Critical research and artistic practices are all tied up together—they inform each other. I am suggesting an interdisciplinary approach to questioning and learning that incorporates an art research methodology. Research is the praxis of systematic critical reflection that focuses on compelling questions. And these questions can only be investigated when we unsettle the very tools we use to examine them.

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